Rei Kawakubo Comme des Garçons The Art of In-Between at the Metropolitan Museum of Art; Installation View 9.7 Order / Chaos
Limitless. Shocking. Defiant.
Breaking from the fashion fold, Rei Kawakubo declares independence from the confines of conventional clothes-making and Commes des Garçons headlines her un-commercial, un-apologetic aesthetic. For "outsiders," a blurring of the legible mold of "fashion"--as defined by figure-flattery and templated garments that account for head, legs and arms--is unsettling. When confronted with the "aggressively unattractive," critical commentary eclipses the sheer brilliance of the petite Japanese designer with an understated personality and overstated design sense. The first Monday this May, the Metropolitan Museum of Art opens its annual Costume Institute exhibit honoring a living designer for only the second time (since Diana Vreeland's retrospective of Yves Saint Laurent in 1983). Rei Kawakubo / Commes des Garçons : Art of the In Between is not so much a retrospective as an introspective of the creator and her collections, once shrouded in an enigmatic aura. Keep reading for a look inside...
